BY MATTHEW DADDONA In 12 years, Bryan Singer hasn’t made a film nearly as electrifying or groundbreaking as The Usual Suspects, a testament not only to himself but also to the nature of fast, gripping crime stories. Singer, who recently directed the X-Men films and Superman Returns, is the mastermind behind this 1995 drama’s wit and suspense, and quite simply, the delicious irony of its title. The film opens with literal bang: A mysterious explosion on a ship, in which 27 men die over a reported $91 million in cocaine. From there we meet all the ‘usual suspects’ in […]
DUBIOUS ACHIEVEMENT: Didn’t Need To See THAT
Eric Draper/White House In the Blue Room of the White House, before the Kennedy Center Honors, from left, the pianist and conductor Leon Fleisher; the movie director Martin Scorsese; the singer Diana Ross; President Bush; the songwriter Brian Wilson; Laura Bush; and the actor and writer Steve Martin. [via NEW YORK TIMES]
SECOND OPINION: Being I’m Not There
BY CARRIE RICKEY INQUIRER FILM CRITIC Much as I admire [the] performances, and much as I respect Haynes’ attempt to create something deeper than the standard movie biopic, I left the theater scratching my head, thinking, as Gertrude Stein said of Oakland, “There’s no there there.” It’s an enigmatic movie about an enigma — not unlike a boring song about boredom. Thankfully, Haynes successfully avoids replicating the biopic’s standard arc of struggle/flameout/phoenix rising from ashes, the cliche of every VH-1: Behind the Music episode. While structurally ambitious, his six actors in search of one character — or actors representing different […]
CHRISTOPHER WALKEN: Reads “The Raven”
By Edgar Allan Poe.
CINEMA: The Mystery Tramp
I’M NOT THERE (2007, directed by Todd Haynes, 135 minutes, U.S.) BY DAN BUSKIRK FILM CRITIC I’m Not There feel like a masters’ thesis on the themes that director Todd Haynes has been exploring for the last 20 years: the symbiotic relationship of image and identity, celebrity and anonymity; the porous borderlands of gender and sexuality and extending the outer limits of cinema’s artistic reach. With 1987’s Superstar: The Karen Carpenter Story Haynes treated the bland exteriors of The Carpenters’ muzak-y cheese as a blank canvas and with 1998’s Velvet Goldmine he re-cast London in the Glam Rock 70s as […]
CINEMA: Causality Of War
REDACTED (2007, directed by Brian De Palma, 90 minutes, U.S.) BY DAN BUSKIRK FILM CRITIC Coming off the highest profile flop of his career, a flat-footed adaptation of James Ellroy’s The Black Dahlia, Brian De Palma is proving himself still spry at 68, with his camcorder-eye view of the Iraq War, Redacted. It’s an audacious move for De Palma, not just politically (the film has O’Reilly and his ilk frothing madly) but stylistically as well, robbing him of his trademark slow-motion set-pieces, florid musical scores and his gliding tracking shots. With Coppola soon to arrive with his bare-bones return to […]
KEVIN SPACEY: Impersonating Christopher Walken
Auditioning for the role of Han Solo. Priceless.
FOR THE RECORD: Natalie Portman Is Happy With Wes Anderson Nude Scene And, Hey, We Are Too
DALLAS MORNING NEWS: You might have read about it in the recent Parade magazine cover story penned by the actress. Except – shocking – she didn’t actually write it, even though the words “By Natalie Portman” adorn the cover. “They do an interview with you then sort of write it for you,” she says by phone. “They claim that you wrote it, but that’s not really how it works. They interview you like you’re interviewing me, then they just write it in the first person.” OK, so nobody was thinking about nominating Parade for a Pulitzer anyway. But it seems […]
‘I HAVE AN EVENT TODAY, IF YOU WANT TO COME’
BiG TeA PaRtY screens H2YO! an environmental video at Fairmount Waterworks Interpretive Center. Four showings: Saturday November 16 & Sunday November 17 at 1:30pm & 3:30pm Fairmount Waterworks Interpretive Center Is behind the Art Museum along the Schuylkill river 640 Waterworks Drive, center door, downstairs, see you there.
CINEMA: Whatever Happened To Donnie Darko?
SOUTHLAND TALES (2006, directed by Richard Kelly, 144 minutes, U.S.) BY DAN BUSKIRK FILM CRITIC Move over Michael Cimino. Grand in design, epic in its failure, Richard Kelly’s follow-up to the cult hit Donnie Darko is bound to be the new historical benchmark for young directors sending their careers up in flames. At nearly two and a half hours, the apocalyptic Southland Tales propels itself through its End Days scenario like an SUV rolling over on the freeway: it flips and flips and flips and flips till one wants to shout out in fear “Jesus, won’t this thing ever stop!” […]
EXPLAINER: Why Hollywood Writers Strike
Shameful. Just shameful.
CINEMA: I Was An American Girl
Runnin’ Down A Dream (Dir. Peter Bogdanovich, 4-DISC DVD, 2007) BY AMY Z. QUINN As per usual, Philly was ahead of the curve on Tom Petty & the Heartbreakers. If you grew up listening to the radio around here, you know that the first two albums, the self-titled debut and You’re Gonna Get It! were common cause on the local airwaves by 1979, back when FM was the Internet of its day. Thanks to the dashboard radio in my sister Terrie’s ’72 LeMans, I feel like I was born with the words to a half-dozen of their songs on my […]
NEWS CLUES: It’s Like Adderall For Your Eyeballs
SHINING PATH: How Richard Gere Got His Buddha On As Richard Gere tells it, it was in 1978 that he literally and figuratively found his humanitarian path. “After [the film festival at] Cannes I went to India and Nepal,” he recalls. “It was outside of Pokhara, at the edge of the Himalayas, I took a walk through a village. There were no vehicles. I saw a hand-lettered sign that said, ‘Tibetan refugees.’ I walked up the path and it was otherworldly — it had a Brigadoon or Lost Horizons quality. Their minds and hearts were different from anything else I […]