Zooey Deschanel has always been an anachronistic sort of gal. At age 8, when she wrote her first song, she was “really into the early 1900s.” “I think it was called ‘I’m Having Fun at the Fair,'” she tells NPR’s Alex Cohen, her big blue eyes peering out beneath bangs that have inspired fashion columns. “Did it have words?” asks the other half of She & Him. M. (short for Matt) Ward is sitting next to her at the Vista theater in Hollywood, where they’ll perform that night. “Yeah, it was very ‘Meet Me in St. Louis,'” she says.
Twenty years later, she’s still toying with the past. Volume One, the debut album She & Him released earlier this year feels like it came from another era. The original songs manage to simultaneously exude Linda Ronstadt, the Beach Boys and the Ronettes — music that Deschanel and Ward listened to as kids. They’ve also included a tiki-style tribute to the Fab Four.
Until recently, composing was just a hobby for Deschanel — better known as the beautiful actress from the films All the Real Girls and Elf. “I’d be working here or there and I would just go home and be writing songs and recording them,” she says. “It was just sort of my way of relaxing.” Then she met folk-indie-prince Ward. In 2006, while making the film The Go Getter, director Martin Hynes asked the pair to work together on a duet for the soundtrack. Something just clicked. “I knew Zooey’s music from Elf,” recalls Ward, referring to the songs her shop-clerk character sang in the Christmas comedy starring Will Ferrell. “And I loved the voice. I thought that maybe there was a Zooey Deschanel record.”
She assured him there was no such thing — but let it slip that her home was filled with demo tapes. Turning them over, however, was mildly terrifying. “It’s a very personal experience writing music,” she says softly. “…It’s hard the first time you say, ‘I like this, do you think this is OK?’ That’s very scary.” It was more than OK. Ward says it was one of the best demos he’d ever heard. “I just loved the songs and it’s really rare that you find good songs, it’s as simple as that,” he says. The vocal arrangements, in particular, blew him away. “If I could do that on my four-track tapes, I would have done that a long time ago.”
Ward — who in the past had worked with talented female vocalists such as Norah Jones, Cat Power and Neko Case — had found his musical soul mate. He persuaded Deschanel to form a band with him and record an album. Even though their names both have star power, they opted for the simple moniker She & Him. “We both talked about liking the idea of a name that is sort of anonymous and humble,” says Deschanel. “I always liked the name The Band because it’s not about being like the star of anything, it’s about the music.” And by music, she means “music” that hasn’t been thoroughly altered by technology. “I just like music that sounds like music,” she says. “Not like machines and computers and things that you design to make things sound slick and perfect.”
She & Him have sold out everywhere they’ve played, but Deschanel isn’t giving up acting anytime soon. She recently lent her voice to The Simpsons and has several films coming out this year, including the one that launched her collaboration with Ward. The two say they plan to put out a follow-up record to Volume One, but they aren’t quite sure what to call it. Maybe Volume Two? “It’s got a nice ring to it,” says Ward. She agrees, smiling coyly back at Him. “It’s got a great ring to it.”
Young people already have voted in record numbers during the primary season. TIME Magazine dubbed 2008 as “The Year of the Youth Vote,” What’s driving the high turn-out among youth voters and what issues matter to them most. We talk with DAVID BURSTEIN, executive director and founder of “18 in ’08” and KARLO BARRIOS MARCELLO of the Center for Information on Civic Learning Engagement. Listen to this show via Real Audio | mp3
Tune in for a rebroadcast of our conversation with MOHAMMAD YUNUS, Managing Director of the Grameen Bank, which pioneered the use of micro-credit lending. He and his bank shared the 2006 Nobel Peace Prize. His new book is Creating a World Without Poverty: Social Business and the Future of Capitalism. Listen to this show via Real Audio | mp3
Grammy Award winner Sergio Mendes remains amoung the most internationally successful recording artists to date. Although widely recognized as being one of the first to embrace bossa nova, Mendes remains relevant by regularly updating his sound with modern arrangements of Brazilian classics. As an iconic Brazilian musician, Mendes visits David Dye on World Cafe to discuss his latest effort, Encanto. Translated from Portuguese as “enchanted,” the album exhibits Mendes’ distinctive Brazilian fusion utlizing the talents guest contributors Erykah Badu, Juanes, Justin Timberlake, India.Arie, John Legend, Jill Scott, Stevie Wonder, and co-producer Will.i.am of the Black Eyed Peas. The record is a Mendes-brand bossa nova classic, incorporating a melodic brilliance that continues to inspire generations of tastemakers. Mendes describes the marriage of cultures, explaining, “It’s all about the same beats that we inherited from Africa. It’s that same common denominator that brought the samba to Brazil and brought jazz to America.” Will.i.am adds, “Hip-hop is urban to America but samba and bossa nova are urban to Brazil.” Although Encanto boasts Brazilian flavor, the music and message are universal. With his new upbeat release, Mendes continues blurs the distinction between new and the old with his contagious and rhythmic sound.
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