DJANGO DJANGO: Hand Of Man

Django Django: Hand of Man on Nowness.com. Directed by Bafta Award winning director John Maclean, the brother of Django drummer/producer Dave Maclean and former Beta Band-mate. “Filmed on black and white super-8 stock,” says Maclean. “The end of great things. The party was the last day in our friend’s building which will inevitably be knocked down to make way for more dodgy flats with tiny triangle balconies – art, film and music studios destroyed to make way for fast-buck housing developers pricing the working classes and the artists out of central London. The end of film developers and Kodak film […]

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THE GROUNDHOG DAY OF AMERICAN F*CKEDNESS: The 10 Most Outrageous Political Carryovers From 2012

  1. Some $500 billion of hard-earned taxpayer money will be squandered in the next 12 months in the form of corporate welfare and archaic, outmoded, completely useless military overkill. As usual, the giveaway will be perpetrated by literally thousands of the most consistently hypocritical bastards on the face of the earth, i.e., your elected local, state and national representatives. Surprisingly, it will be condoned (in at least one instance) by a somewhat two-faced but nevertheless respected national publication. 2. Under federal law, marijuana use and distribution is still illegal. Period. Just because Colorado and Washington state have taken the […]

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THIS IS OUR MUSIC: Our Favorite Albums Of 2012

Artwork by SHEPARD FAIREY REDD KROSS Researching The Blues (Merge) You were born in an age of mockery, which would be followed by a decade of irony. You were 11 years old when you played your first gig, opening for Black Flag. Your bass was bigger than you. You named your band after the crucifix masturbation scene in The Exorcist. Early on you were fascinated by pop culture gone horribly wrong, you wrote punky odes to Linda Blair, MacKenzie Phillips and Frosted Flakes. You covered Charlie Manson. “No metal sluts or punk rock ruts” was your motto.You recorded six albums […]

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CINEMA: Gaslandia

  PROMISED LAND (2012, directed by Gus Van Sant, 106 minutes, U.S.) NOT FADE AWAY (2012, directed by David Chase, 112 minutes, U.S.) BY DAN BUSKIRK FILM CRITIC Matt Damon and John Kasinski co-wrote/co-produced and co-star in Promised Land, an “issue drama” that seems Hell-bent on allowing its flat-footed attempt at drama get by on its good-intentions alone. Based on a story idea by fellow do-gooder Dave Eggers, Promised Land aches of being a film whose anti-fracking message came long before they decided on a story to hang it on. Damon is Steve Butler, a servant of an energy company […]

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REWIND 2012: The Year In Phawker Interviews

Talk is cheap, especially on the Internet, but at Phawker it’s totally free, baby — at least for you, dear reader. Trolling through the vast and dusty Phawker archives, we have dug up fat sack of conversations from the past year that are worth re-visiting: Dick Dale, King Of The Surf Guitar; graphic novelist Charles Burns, the Edgar Allan Poe of right now; photographer Joe Kazcmarek, who tirelessly chronicles the murder-scarred backstreets of North and West Philly; Jim Reid, lead singer of The Jesus And Mary Chain; Anton Newcombe, cult leader of The Brian Jonestown Massacre; Hardball host Chris Matthews; […]

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THE SOPRANO: Q&A With Writer/Director David Chase

  BY JONATHAN VALANIA Last week we sat down with Sopranos creator David Chase to talk about his new movie, Not Fade Away, a weedy coming-of-age dramedy about being young, horny and trying to be the Rolling Stones in the teenage wasteland of suburban New Jersey in the mid-’60s. There’s sex. There’s drugs. There’s rock n’ roll, in the form of an impeccably-curated soundtrack and convincing scenes of the band trying to kick out the jams in garages and basements. There’s James Gandolfini as the hey-you-kids-get-off-of-my-lawn father, shaking his fist at the longhairs from the wrong side of the generation […]

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MEMORIAM: Jack Klugman, ‘Rubber-Mugged’ Everyman

NEW YORK TIMES: His features were large and mobile; his voice was a deep, earnest, rough-hewed bleat. He was a no-baloney actor who conveyed straightforward, simply defined emotion, whether it was anger, heartbreak, lust or sympathy. That forthrightness, in both comedy and drama, was the source of his power and his popularity. Never remote, never haughty, he was a regular guy, an audience-pleaser who proved well-suited for series television. Mr. Klugman was already a decorated actor in 1970 when he began co-starring in “The Odd Couple,” a sitcom adaptation of Neil Simon’s hit play about two divorced men — friends […]

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CINEMA: The Shootist

DJANGO UNCHAINED (2012, directed by Quentin Tarantino, 165 minutes, U.S.) BY DAN BUSKIRK FILM CRITIC Discussing the trailer to Django Unchained before its release, I evoked a few chuckles from friends with the comment, “It looks like a Wayans brothers’ spoof of Tarantino films.” After seeing Django Unchained in its entirety, the film barely outruns that perception; in many ways Django Unchained is a Tarantino film almost to the point of parody. The only thing missing is the element of surprise, once the cornerstone of the Tarantino brand. Without surprise, what is left to define Tarantino? Explosive violence, profane exclamations, […]

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WORTH REPEATING: The Saddest Story Ever Told

Photograph by DIANE ARBUS BY JIM KNIPFEL Lord knows what happened to me — or what happened to most of us, for that matter — along the way. When you’re a kid growing up in the snowy Midwestern suburbs, you simply have no choice–Christmas is a magical time whether you want it to be or not. I mean, I was a reasonably normal kid. No, that’s not true. I had a reasonably normal family. No, that’s not exactly true either. We did reasonably normal, holiday-type things around Christmas. That’s true. My folks would take me to see Santa at the […]

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