CINEMA: Do You Know Where You’re Going To?

TAXI TO THE DARK SIDE (2007, directed by Alex Gibney, 106 minutes, U.S.) BY DAN BUSKIRK FILM CRITIC Everything I know about politics I learned at the movies. Take torture. It was watching all those WWII movies with my older brother that introduced me to the U.S. policy on torture and war, especially prison camp films like The Great Escape, The Bridge On the River Kwai and Stalag 17. In each of them, the U.S. soldiers were left fairly unmolested, forced by dumb luck to wait out the war in lousy P.O.W. camp conditions. Occasionally a Japanese or German commander […]

COMING ATTRACTION: An Exclusive Interview With I Am Trying To Break Your Heart Director Sam Jones

In honor of you-know-who playing the Tower on Saturday we will be running an in-depth Q&A with Sam Jones, the director of I Am Trying To Break Your Heart. Sam is probably better known for his photography — you have seen his work, believe me. He recently published Here And Now (Harper Collins), a collection of his stunning celebrity portraiture, with forward by George Clooney. Speaking of which, Sam shot Clooney on Monday for this week’s TIME cover story. Small world.

COMING ATTRACTION: An Exclusive Interview With I Am Trying To Break Your Heart Director Sam Jones

In honor of you-know-who playing the Tower on Saturday we will be running an in-depth Q&A with Sam Jones, the director of I Am Trying To Break Your Heart. Sam is probably better known for his commercial photography — you have seen his work, believe me. He recently published Here And Now (Harper Collins), a collection of his stunning celebrity portraiture, with forward by George Clooney. UPDATE: Sam shot Clooney for this week’s TIME cover story

CINEMA: The Ungrateful Dead

DIARY OF THE DEAD (2007, directed by George Romero, 95 minutes, U.S./Canada) BY DAN BUSKIRK FILM CRITIC Before they can declare the New Wave of zombie films officially dead (no surprise they keep coming, they’re zombies after all) George Romero has decided to shamble in for another go around. With his fifth Dead film since his 1968 genre-sprouting classic Night of the Living Dead, Romero has scaled back his ambitions in order to maintain a control over production he hasn’t had since 1978’s Dawn of the Dead. With its limited budget, Romero has made Diary of the Dead more of […]

EARLY WORD: Hit The Road, Jack

PHILADELPHIA – On February 15th, the Hiway Theatre, located at 212 Old York Road in Jenkintown, will premiere the film series, Road Trips and Amazing Journeys to celebrate the one-year anniversary of the historic theatre’s reopening. The opening night celebration will begin with a screening of director Walter Salles’ acclaimed feature The Motorcycle Diaries (2004), chronicling the adventures of a young Che Guevara, followed by the featured selection for the evening – the critically acclaimed comedy Last Stop for Paul. Hailed as, “A unique accomplishment. Always entertaining. Very funny and at times quite touching” by film critic Richard Roeper, the […]

CINEMA: Brutal Youth

YOUTH WITHOUT YOUTH (2007, directed by Francis Ford Coppola, 124 minutes, U.S.) BY DAN BUSKIRK FILM CRITIC Back in September of last year, The New York Times ran an article called “Francis Ford Coppola, A Kid To Watch.” A.O. Scott’s article spun a tale of how the sixty-eight year old director had re-stoked the fire in his belly while working quickly and efficiently with a young Romanian crew on his brainy and reflective comeback. It was an enticing idea, that after poking around his vineyard for the last decade Coppola had kicked off whatever funk had led him to make misfire […]

CINEMA: Locust Abortion Technician

4 MONTHS, 3 WEEKS & 2 DAYS (2007, directed by Cristian Mungiu, 113 minutes, Romania) BY DAN BUSKIRK FILM CRITIC If this is the Romanian New Wave than I’d hate to see their Punk. Raw and unflinching, 4 Months, 3 Weeks and 2 Days is a bleak journey into the darkest days of two young female students during the waning years of Communist Romania. Cristian Mungui’s unblinking look at a black market abortion won the Golden Palme at last year’s Cannes Festival and it probably needed that title to receive distribution in the U.S., its dour Eastern European outlook and […]

NEWS CLUES: It’s Like Adderall For Your Eyeballs

RIP: Actor Roy Scheider Dead At 75, Shark Not Involved Roy Scheider, a stage actor with a background in the classics who became one of the leading figures in the American film renaissance of the 1970s, died on Sunday afternoon in Little Rock, Ark. He was 75 and lived in Sag Harbor, N.Y. Mr. Scheider had suffered from multiple myeloma for several years, and died of complications from a staph infection, his wife, Brenda Seimer, said. Mr. Scheider’s rangy figure, gaunt face and emotional openness made him particularly appealing in everyman roles, most famously as the agonized police chief of […]

POST TV: Life After Cable

BY DAN BUSKIRK FILM CRITIC Me and the wife haven’t looked back after getting rid of the digital cable a year or so ago, what with the ubiquity of DVDs and our entertainment energies drifting towards the internet, television programming has begun to seem superfluous. While killing time with Google’s video search engine recently I was surprised to see that there is a poor man’s “On Demand” function on-line as well. On the Google.com homepage you’ll need to go to the upper left-hand corner and click on “more,” then “advanced search” and from there I chose to search for videos […]

THE EARLY WORD: Here Comes The Goon Squad

Before Monty Python invaded television, The Goon Show – famed not only for its surreal humor, puns, and catchphrases but also for its groundbreaking sound effects – made an entire nation laugh week after week. The Goons met in the 1940s, and like many of the post war entertainers, they all began performing while serving in World War II. Running from 1951 – 1960, the show changed the face of British comedy and greatly influenced Python, the Beatles, and many others. Monty Python star Michael Palin has said, “For me, the Goons were to comedy what Elvis was to music.” […]

NEWS CLUES: It’s Like Adderall For Your Eyeballs

HOLD THE PHONE: Obama Claims Delegate Lead Over Clinton In a surprise twist after a chaotic Super Tuesday, Sen. Barack Obama (D-Ill.) passed Sen. Hillary Rodham Clinton (D-N.Y.) in network tallies of the number of delegates the candidates racked up last night. The Obama camp now projects topping Clinton by 13 delegates, 847 to 834. NBC News, which is projecting delegates based on the Democratic Party’s complex formula, figures Obama will wind up with 840 to 849 delegates, versus 829 to 838 for Clinton. Clinton was portrayed in many news accounts as the night’s big winner, but Obama’s campaign says […]

BLACK MIRROR: Heath Ledger’s Fatal Obsession

DAILY MAIL: This haunting image of doomed actor Heath Ledger shows him apparently drowning in a bath – in a bizarre tribute to the tragic British folk singer with whom he was obsessed. The picture comes from a film Ledger made about Nick Drake, the cult singer-songwriter whose death bore disturbing similarities to his own. Ledger made the dark, brooding film to accompany one of the last songs Drake recorded before killing himself with antidepressants in 1974, at the age of 26. Like Drake, Ledger, 28, was found dead in his bed after taking prescription antidepressants. In stills taken from […]

CINEMA: A Honey Drippin’ Beehive

HONEYDRIPPER (2007, directed by John Sayles, 123 minutes, U.S.) BY DAN BUSKIRK FILM CRITIC After the recent long-winded political rants Silver City and Sunshine State, it’s a relief to see indie film Godfather John Sayles pursue this more conventional story, of Danny Glover’s struggle to keep his Alabama juke joint open in the year of 1950. At its best, blues fable Honeydripper reminds one of his early 90’s hit Passion Fish; both films transcend their conventional stories with perceptive performances and a smattering of Southern regionalism. Yet even with its de-politicized story, Sayles still winds up stepping in his own […]