On September 10th, 2014, David Lynch gave a press conference at The Pennsylvania Academy of Fine Arts to promote DAVID LYNCH: The Unified Field, the first major retrospective of his paintings in an American art museum. The retrospective is something of a homecoming for Lynch who studied painting at PAFA from 1966-1967, back when the City of Brotherly Love was a desolate hellscape of decay and despair after years of white flight, industrial collapse and seething racial animus. From 1965-1970, Lynch lived in a section of the city that has come to be known as The Eraserhood. It was in Philadelphia that Lynch first transitioned from painting into filmmaking. In 1970, he headed to Los Angeles to begin work on Eraserhead. At the press conference, Lynch talked about how he drew inspiration from the horrors he witnessed during his days in Philadelphia, and expressed his sadness that the city is no longer a soot-stained miasma of fear and loathing and ultra-violence, that his malevolent Rosebud has been rendered harmless and ordinary by gentrification. The short film you are about to watch is a compendium of Lynch’s remarks about filmmaking, painting, smoking, and the nature of art. Filmed and edited in high Lynch-ian style, this short film incorporates David Lynch’s music, paintings, and films along with his charm, wit and insight into the creative process. A must-see for fans of his work.
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