[via PHILADELPHIA INQUIRER] R.E.M. Accelerate (Warner ****) Just when I’d concluded that R.E.M.’s three-legged dog don’t hunt no more, they turn in their most powerful and cohesive work since 1992’s Automatic for the People, a record brimming with all the things that made them great in the first place: clangy autumnal melodies, droney proto-emo vocals, trippy nuance, the haunted poetics of regret, the routine eschewing of the obvious and the familiar in pursuit of the sublime and the unexpected. This one goes out to the long-suffering superfans, the kind of people whose faces light up when you say that the […]