NEW YORK TIMES: HARMONY KORINE catapulted to fame as an enfant terrible, and for a few years he played the part to perfection. He was the young skateboarder turned wunderkind screenwriter behind Larry Clark’s 1995 sensation, “Kids.” At 24 he directed “Gummo” (1997), about glue-sniffing, cat-killing teenagers in a Rust Belt backwater. Most critics hated its junkyard, freak-show aesthetic, but it spawned an instant cult, with devotees including Werner Herzog, who became a mentor and collaborator, and Gus Van Sant. Mr. Korine’s next film, “Julien Donkey-Boy” (1999), inspired by his schizophrenic uncle, continued the gutter-punk provocations. But after that he […]