BY JOE WARMINSKY A confession: Although I’m a fellow Keystone Stater, I ignored Matt Pond PA until a few months ago, and I’m not even sure why I decided to listen to Last Light, the long-running band’s 2007 disc. Guilt? Housecleaning? Doesn’t matter. Bingo, voila, whoo, it’s front-loaded with a majestic title track that shoves aside alt-rock’s amorphous, self-conscious present and instead intelligently honors the ancient “120 Minutes” aesthetic: The production is proudly slick; the drums have some of that big ’80s sound; the guitar riffs are firm, but also classically shoegazerish; and the vocals are pushed frontward. And there […]