PITCHFORK: So what is new on A Moon Shaped Pool, Radiohead’s first studio album since 2011’s The King of Limbs? Very little, which to me is what immediately makes it so great. For their ninth studio album, the concept of “newness” doesn’t resonate in the first several listens of this album in the same way that, say, Kid A immediately felt iconoclastic or Hail To The Thief stood in defiance of a political zeitgeist. Instead, Radiohead take a moment of reprise and gather little pieces from their entire career both in and out of the band. There are backwards vocals, […]