Illustration by BEN HEINE BY WILLIAM C. HENRY When did Republicans elect to delete the term “compromise” from their lexicon? When did they resolve to bar words like “cooperation” and “consensus” from discussion? When did they decide to excise words like “reasonable” and “equitable” from their collective mind-set? When did they engender such callousness toward sentiments like “compassion” and “empathy”? In fact, when was the last time you heard terms like “common good” or “shared sacrifice” roll from the tongue of a McConnell, a Boehner, or any other current member of America’s Right Wing elite? Have today’s Republicans become so […]
BEING THERE: No Other Tribute @ Union Transfer
Photo by MARY LYNN DOMINGUEZ The only thing I expected to be bitter about last night was the cold. Making trip from the suburbs to Union Transfer by SEPTA in below freezing temperatures seemed awful, but I soon found out that would be the warmest and most appealing part of my night. By the time I got to the line at UT, my fingers were frozen to the point of immobility, but I didn’t care. Seeing some of the most acclaimed indie bands of my generation — Beach House, The Walkmen, Fleet Foxes and Grizzly Bear — performing Byrds frontman […]
ON ASSIGNMENT: No Sleep ‘Til Brooklyn II
It’s like deja vu all over again. Gotta go up to the BK and drink beer with these guys — I know, I know, it’s a dirty job, but somebody’s got to do it. So posting will be light today. In the mean time, curl up with this 2008 interview with Black Francis wherein the erstwhile Pixies mainman and I bury the hatchet after a simmering feud stretching back to the Doolittle tour when I was a starstruck cub reporter getting to interview my numero uno favoritest band in the whole wide world and Black Francis still had hair. […]
REPLAY: Burying The Hatchet w/ Black Francis
Illustration by ALEX FINE EDITOR’S NOTE: This interview originally published in 2008. BY JONATHAN VALANIA Set the Wayback Machine to 1988. I’m a college radio DJ stranded in the middle of Pennsyltucky. Entranced by the naked boob on the cover of Surfer Rosa, I slap it on the turntable and…the Pixies had me by the first 10 seconds of “Where Is My Mind?” and never really let go. Shortly thereafter I got a gig working for a Pennsyltucky daily. They asked me one day if I wanted to interview some guy named Black Francis from the Pixies. Would I? Man, […]
Q&A: Sarah Silverman & Jesus H. Christ
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SIDEWALKING: Under The Bridge
Beneath the Ben Franklin Bridge, 1:02 AM by ERIC ASHLEIGH
GALAXIE 500: Listen, The Show Is Falling
They will forever have a place amongst our Top 10 Favorite Bands Of All Time. PREVIOUSLY: Q&A w/ Dean Wareham
SNOWDEN SPEAKS: Russian Spies Don’t Have To Sleep On The Floor Of The Transit Lounge At Moscow International For 40 Days And 40 Nights
Artwork by POASTERCHILD NEW YORKER: Snowden, in a rare interview that he conducted by encrypted means from Moscow, denied the allegations outright, stressing that he “clearly and unambiguously acted alone, with no assistance from anyone, much less a government.” He added, “It won’t stick…. Because it’s clearly false, and the American people are smarter than politicians think they are.” If he was a Russian spy, Snowden asked, “Why Hong Kong?” And why, then, was he “stuck in the airport forever” when he reached Moscow? (He spent forty days in the transit zone of Sheremetyevo International Airport.) “Spies get treated better […]
TONIGHT: The Man Who Wasn’t There
PBS: THIRTEEN’s American Masters launches its 28th season with the series’ 200th episode: the exclusive director’s cut of Shane Salerno’s documentary, Salinger, premiering nationally Tuesday, January 21, 9-11:30 p.m. on PBS (check local listings) with 15 minutes of new material not seen in theaters. Featuring never-before-seen photographs, personal stories and moments from J.D. Salinger’s (Jan. 1, 1919 – Jan. 27, 2010) life and harrowing service in World War II, Salerno’s new director’s cut expands his intimate portrait of the enigmatic author of The Catcher in the Rye. Salerno’s 10-year journey culminates in the first work to get beyond the […]
CINEMA: The Catcher And The Why
SALINGER (2013, directed by Shane Salerno, 129 minutes, U.S.) BY DAN BUSKIRK FILM CRITIC It’s a little hard to fathom the critical animosity this absorbing documentary on legendary writer J.D. Salinger has received, except to conclude that writers still feel the need to protect lonely old Holden Caufield. The notoriously reclusive author of Catcher in the Rye and Franny & Zooey didn’t leave behind a whole lot of evidence of his private life, but Salerno puts together the pieces to present the trajectory of a great fiction writer but he also paints an unflattering picture of a man whose […]
BEING THERE: Street Fighting Man
Independence Square, downtown Kiev, Ukraine, 12:25 PM by DEN DIDENKO KYIV POST: Fisticuffs, beatings, shootings, fires, vandalism, tear gas, Molotov cocktails and smoke bombs have all featured in EuroMaidan, the anti-government protests that seek to dislodge Ukraine’s top officials. But these incidents do not add up to a nation that has descended into chaos or civil war. To the contrary, the radical aggressors of EuroMaidan respect public order for the most part and calibrate their actions to keep the focus on their mission: ousting President Viktor Yanukovych’s regime. That means that while the activists are happy to seize a police […]
MC5: Kick Out The Jams
This one goes out to all the kids in Kiev tonight.
J. Edgar Hoover Met The Enemy, And It Was Us
FRESH AIR Four years after Pulitzer Prize-winning writer Tim Weiner published Legacy of Ashes, his detailed history of the CIA, he received a call from a lawyer in Washington, D.C. “He said, ‘I’ve just gotten my hands on a Freedom of Information Act request that’s 26 years old for [FBI Director] J. Edgar Hoover’s intelligence files. Would you like them?’ ” Weiner tells Fresh Air’s Terry Gross. “And after a stunned silence, I said, ‘Yes, yes.’ ” Weiner went to the lawyer’s office and collected four boxes containing Hoover’s personal files on intelligence operations between 1945 and 1972. […] […]
