Photo by ALEX BUSCHIAZZO courtesy of 215Music It was late last year that Primus released The Desaturating Seven, a concept album based off of Ul de Rico’s The Rainbow Goblins, a children’s book about a group of goblins who consume the colors of the world, “desaturating” it of our precious ROY G BIV. Primus mastermind and bassist Les Claypool used to read the story to his children, and, as with Willy Wonka, was musically inspired by its content. Their current tour is focused on music from their new album, naturally, and features a rainbow-through-tree-silhouettes backdrop. The sky was looking iffy […]

Photo by JOSH PELTA-HELLER Truth be told, my first impression of POND was that they’re some sort of alternate-universe MGMT if something were to have gone cringefully wrong early in their career. To me, they were missing something – the hyper-catchy melodies and stellar chord phrases that I’ve come to expect from the latter. I just could not shake this toxic point of view. But last night, the Perth-based Tame Impala offshoot blew me away. What was going on inside Union Transfer that I hadn’t been hearing on POND’s records? For starters, front man Nick Allbrook was glittered up like […]

Photo by JOSH PELTA-HELLER From the floor of Johnny Brenda’s on Saturday night, Kate Stables watched every second of the opening set from Landlady’s Adam Schatz, before taking the stage with an ensemble that included Schatz on keys and brass. This is the current iteration of Stables’ project, This Is The Kit, which still sounds bright and new, even at fifteen years and four full-length albums deep. Standing confidently with her green Hofner hollow-body, Stables presents distinctive Bristol-based folk-rock with a unique paradox. Her music often evokes that of Joni Mitchell or Nick Drake, or very early 70s era-defining harmonies […]

Photo by JOSH PELTA-HELLER Few bands have pulled off such a consistently strong, decades-long discography as sludge-metal legends The Melvins. Throwing down hard since their ’86 debut, Deep Six, their latest, the just-released Pinkus Abortion Technician, is no exception. Named after the Butthole Surfers’ infamous 1987 album, Locust Abortion Technician, Pinkus Abortion Technician delivers five original tracks and three covers, including The Beatles’ “I Want to Hold Your Hand.” The album’s title is not the only element borrowed from Butthole Surfers. As the title suggests, former Surfers bassist and songwriter, Jeff Pinkus, joined forces with The Melvins to write and record Pinkus Abortion […]

Photo by JOSH PELTA-HELLER As the sun set on a Philly swooning with the first blush of spring, lazy fingers of sunlight skimmed bared necks in the evening glow. After downing tap beers at Interstate Drafthouse, me and my posse wandered the grungy back alleys of Fishtown, woozily making our way to the Fillmore to see the King of Krule, indie’s It Boy of the moment. Brooklyn-based jazz/hip-hop ensemble Standing on the Corner was midway through their opening set as we breezed into the twilit showroom. Despite the sultry clime, SOTC’s frontman wore a black parka with the hood up, […]

Photo by MARK LIKOSKY Ty Segall is like a combination Buddy Holly, Jerry Garcia and every character who’s ever died in a Mad Max film — but shorter, thicker, with a moonpie face and long dirty blonde Cousin It hair. We go way back. I’ve seen him in small venues like The Knockout back in his budding SF days. Those were smaller scale performances but he’s retained that same sincere demeanor of a committed devotee to shredding a hole in his private darkness and unleashing a blinding haze of purifying rock n’ roll light to awaken the masses. He is […]