NEW YORK TIMES: He hired many of the writers and artists whose work became Mad trademarks. Among them were Don Martin, whose cartoons featuring bizarre human figures and distinctive sound effects — Katoong! Sklortch! Zazik! — immortalized the eccentric and the screwy; Antonio Prohias, whose “Spy vs. Spy” was a sendup of the international politics of the Cold War; Dave Berg, whose “The Lighter Side of …” made gentle, arch fun of middlebrow behavior; Mort Drucker, whose caricatures satirized movies like Woody Allen’s “Hannah and Her Sisters” (“Henna and Her Sickos” in Mad’s retelling). […] In his second issue, Mr. Feldstein seized on a character who had appeared only marginally in the magazine — a freckled, gaptoothed, big-eared, glazed-looking young man — and put his image on the cover, identifying him as a write-in candidate for president campaigning under the slogan “What — me worry?” At first he went by Mel Haney, Melvin Cowznofski and other names. But when the December 1956 issue, No. 30, identified him as Alfred E. Neuman, the name stuck. He became the magazine’s perennial cover boy, appearing in dozens of guises, including as a joker on a playing card, an ice-skating barrel jumper, a totem on a totem pole, a football player, a yogi, a construction worker, King Kong atop the Empire State Building, Rosemary’s baby, Uncle Sam, General Patton and Barbra Streisand. Neuman became the symbol of Mad, his goofy countenance often intruding, Zelig-like, into scenes from the political landscape and from popular television shows and movies. He signaled the magazine’s editorial attitude, which fell somewhere between juvenile nose-thumbing at contemporary culture and sophisticated spoofing. MORE