CINEMA: The Roxy Theater Has Been Fired

Photo by TGBUSILL

PHILLY POST: According to John Ciccone, the Roxy’s landlord (he also owns the neighboring Adrienne Theater), he has given current operator Bernard Neary until November 7th to vacate. “But I’ve asked him to vacate earlier and have given him conditions that would make it attractive for him to do so,” says Ciccone, adding that the Roxy could close as soon as Monday, “or even tonight.” Ciccone says that he wants the Roxy “to be more” and to show art house and repertory films like it used to but to also upgrade to digital projectors to keep up with the industry’s future. MORE

PREVIOUSLY: Triumph of the Will, Leni Riefenstahl’s infamous 1935 salute to Nazism and Adolf Hitler, is playing at the Roxy Theater near Rittenhouse Square – and, in fact, is being held over for a second week. The other screen at the venerable twin theater? Harry Potter and the Deathly Hallows Part 1. “I think it’s one of the most important films of the 20th century,” says the Roxy’s owner, Bernard Neary, about his decision to book Riefenstahl’s stirring documentary, shot at the 1934 Nazi Party rally in Nuremberg attended by some 700,000 zealous supporters. “It’s amazing how a film like this seems to be in the consciousness as universally reviled, but then nobody’s really seen it…. If you mention Triumph of the Will, people look at you and say, `Oh yeah, it’s that terrible movie made by that German filmmaker.’ “But have they seen it? Not too many people have, really, except for clips on the History Channel.” Conceived and commissioned by Hitler as a vehicle to convey the might and glory of the Third Reich, Triumph of the Will is rightly considered one of the most innovative and powerful pieces of propaganda ever made – propaganda in the service, as it turned out, of a nightmare vision of fascism. Riefenstahl, who spent the years immediately after World War II in prison and detention camps (but was ultimately never convicted of war crimes), has been called by film critic David Thomson “arguably the most talented woman ever to make a film.” MORE