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		<title>SONGS MEAN ALOT, VOL. 1 Matt Pond PA, &#8220;Last Light,&#8221; from the album Last Light</title>
		<link>https://phawker.com/2008/04/12/songs-mean-alot-vol-1-matt-pond-pa-last-light-from-the-album-last-light/</link>
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		<pubDate>Sat, 12 Apr 2008 19:45:00 +0000</pubDate>
				<category><![CDATA[215]]></category>
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		<category><![CDATA[matt pond]]></category>
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					<description><![CDATA[BY JOE WARMINSKY A confession: Although I&#8217;m a fellow Keystone Stater, I ignored Matt Pond PA until a few months ago, and I&#8217;m not even sure why I decided to listen to Last Light, the long-running band&#8217;s 2007 disc. Guilt? Housecleaning? Doesn&#8217;t matter. Bingo, voila, whoo, it&#8217;s front-loaded with a majestic title track that shoves aside alt-rock&#8217;s amorphous, self-conscious present and instead intelligently honors the ancient &#8220;120 Minutes&#8221; aesthetic: The production is proudly slick; the drums have some of that big &#8217;80s sound; the guitar riffs are firm, but also classically shoegazerish; and the vocals are pushed frontward. And there [&#8230;]]]></description>
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<p><img fetchpriority="high" decoding="async" class="alignleft" title="mattpondpa.jpg" src="http://www.phawker.com/wp-content/uploads/2008/04/mattpondpa.jpg" alt="mattpondpa.jpg" width="300" height="300" align="left" border="0" /><strong>BY JOE WARMINSKY</strong> A confession: Although I&#8217;m a fellow Keystone Stater, I ignored <a href="http://www.mattpondpa.com/">Matt Pond PA</a> until a few months ago, and I&#8217;m not even sure why I decided to listen to <em>Last Light</em>, the long-running band&#8217;s 2007 disc. Guilt? Housecleaning? Doesn&#8217;t matter. Bingo, voila, whoo, it&#8217;s front-loaded with a majestic title track that shoves aside alt-rock&#8217;s amorphous, self-conscious present and instead intelligently honors the ancient &#8220;120 Minutes&#8221; aesthetic: The production is proudly slick; the drums have some of that big &#8217;80s sound; the guitar riffs are firm, but also classically shoegazerish; and the vocals are pushed frontward. And there you&#8217;ll find Mr. Pond himself, singing dead-serious lyrics about multiple kinds of twilight: alive/dead, sleep/awake, together/alone and aware/numb (perhaps). &#8220;In the end there will be perfect endlessness/When we&#8217;re gone, when we&#8217;re gone, when we&#8217;re gone,&#8221; he intones, with no hint that maybe &#8212; just maybe &#8212; he&#8217;s delving into a well-worn topic. And that&#8217;s what I love about it: The song just goes for it. And it has a few other interesting quirks: The verses seem to cover a lot of philosophical ground, but the chorus is totally in-the moment. Instead of building to a revelation, Pond reverts to a startling instant:</p>
<blockquote><p>You bolted straight upright<br />
You thought that sleep was dying<br />
You thought it was your time to give into the endless night<br />
No you were not right<br />
And I said no it&#8217;s not<br />
There really is enough<br />
It might just be too much<br />
In a couple weeks, twenty hours or in ten minutes</p></blockquote>
<p>I see it this way: Sometimes our simple existence can be flat-out scary. Add some uneasy sleep on top of that, and a mild muscle twitch or a drowsy flash of regret can be an alarming thing. Anyway, my brain tends to put &#8220;Last Light&#8221; in the same category as &#8220;Insignificance&#8221; by the Mekons. Maybe it&#8217;s the key or the chords or the tempo or the tone. Dunno. They broadly share a topic, I guess.</p>
<p>So for the inaugural edition of SONGS MEAN ALOT, download &#8220;Last Light&#8221; directly from Pop Cesspool. Per the wishes of the band, it&#8217;ll be available through May 8, 2008:</p>
<p><a href="http://www.popcesspool.net/files/Last_Light.mp3">Matt Pond PA, &#8220;Last Light&#8221;</a> (mp3)</p>
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